It’s approaching the end of the first week of the Edinburgh Festival Fringe and the reviews have been pouring in.
With the physical programme containing over 3,350 shows across 265 venues, it can be a daunting task to work out what exactly you are going to see.
At The Scotsman we review hundreds of shows every year, with the best receiving a sought-after four or five star rating.
This year we have only awarded two theatre shows the perfect five stars so far, but there have been many more that have earned four stars.
More importantly, several of those still have ticket availability for this weekend (August 8-10) so you can go and see what all the fuss is all about.
Here are 13 five and four star theatre shows our team of critics would recommend you see this weekend.
5. Disco 2000
Saturday (August 9) is your last chance to see Disco 2000 - at the Thistle Theatre at 11.30am - and there are still tickets available. What we said: "Disco 2000 will leave you thinking about your childhood friends, and wondering if you can smooth over the callouses of time with a quick Instagram message." | Contributed
6. The Horniest Girls in New York City
The Horniest Girls in New York City is only on until Monday, August 11. There are tickets left for every performance each day at the Underbelly Cowgate at 2.10pm. What we said: "Riley Stark and Tess Lancaster’s new play is a hoot and a half, exuding the kind of don’t-give-a-shit eccentricity of John Waters’ early punk filmmaking, and almost as silly." | Contributed
7. Shitbag
There's still plenty of time - and tickets left - to see Shitbag, which is on at Summerhall at 4.15pm each day until August 25. What we said: "So yeah, if you liked Fleabag, you will indeed love Shitbag." | Contributed
8. She's Behind You
Another Scotsman Fringe First Award winner, She's Behind You is on at the Traverse until August 24 at various times each day. There are still tickets left for every performance of Johnny McKnight's love letter to panto. What we said: "With handfuls of glitter, music, callbacks and wordplay-based gags, what starts off feeling like pure panto is actually a panto-about-panto, in particular its ability to capture and, at its best, critique the ever-changing politics, attitudes and topics of its time." | Contributed